Egenolf Gallery Japanese Prints
Tsukioka Yoshitoshi
(1839-1892)
Jade Rabbit–Sun Wukong 玉兎 孫悟空
Japanese color woodblock print. 1889. 35.5 x 24 cm.
Songoku, hero of the epic Chinese novel “Journey to the West” is shown holding his magic staff and playfully frolicking with the moon-dwelling Jade Rabbit in front of an enormous full moon. Songoku is an immortal monkey who accompanied a famous Buddhist monk from China to India in the 7th century to collect Buddhist scriptures. Songoku’s gold-tipped staff could magically grow as big or shrink as small as Monkey desired. The staff was a gift from the Dragon King, who also gifted him a golden mail shirt and other magical gifts. Even in heaven, Songoku was considered impudent and ungovernable by the other immortals. Monkey’s many adventures have delighted people for centuries; even today there are popular movies and manga series based on his character. This design is considered one of the top designs in this series, and it is especially appreciated by the Japanese. Beautifully printed, with strong woodgrain in the lower sky and in the strong pink of the moon. YOT808
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Egenolf Gallery Japanese Prints
Tsukioka Yoshitoshi
(1839-1892)
The Lady Ariko no Naishi
Japanese color woodblock print. 1886. 35.5 x 24 cm.
The Heian period court lady Ariko no Naishi covers her eyes, plectrum still in hand, too overcome with emotion to continue playing her instrument. Unable to bear the suffering of her unrequited love, she is about to jump into the waves to end her torment. The moon’s reflection is almost alive, as are the waves, which almost seem to be beckoning to her. The poem reads: “How hopeless it is//it would be better for me to sink beneath the waves//perhaps then I could see my man from Moon Capital --Ariko” Note how Ariko’s hair and the neck of her biwa has been placed in front of the cartouche in a touch that seems very modern. Widely considered one of the best designs of the series, this is a splendidly early impression, with blindprinting and lacquer-like printing effects. YOT809
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Egenolf Gallery Japanese Prints
Tsukioka Yoshitoshi
(1839-1892)
Moon and Smoke
Japanese color woodblock print. 1886. 35.6 x 24 cm. Japanese Color Woodblock Print.
The fire was a common occurrence in the crowed town of Edo, and the flames were known as Edo no hana, “Flowers of Edo.” Troops of firemen were organized to fight the conflagrations and considered as heroes within their own localities. Unlike other fire prints, the firemen in this print are motionless. In contrast the smoke and flames are roaring and covering the sight of the moon. The static fireman and his colleague next to him in the foreground grasp their standard, a matoi, which made of paper, leather and wood. The fireman opposite in silhouette has a different standard, belonging to other group. The fireman wears a heavy quilted jacket, which is soaked with water before he approached the flames. As seen on his right hand the hands are covered by the long sleeves for protection. On his head cover the name of group, kumi, is mentioned: the circular stands for “i” for ichi, namely the first or one. He belongs to “Group Number One.” His jacket has a character matoi, indicating that he is the troop’s standard-bearer. The smoke and flames have been given texture by splattering lime onto the paper. This lime, gofun, was made from powdered chalk or sea shells, mixed with glue. The splattering effect is different in every impression. The colors of the flames are also unique in every impression, as the lead pigments oxidized in their own way for each print. Published by Akiyama Buemon in 1886. Size: 36.5 x 24.7 cm. YOT807
$3,500
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Egenolf Gallery Japanese Prints
Tsukioka Yoshitoshi
(1839-1892)
Moon of Pure Snow at Asano River–Chikako, the Filial Daughter
Japanese color woodblock print. 1885. 35.6 x 24 cm
Chikaku is shown with her hands in a position of prayer as she jumps into the freezing Asano River. She believes that her own sacrifice will help the cause of her father, who has been jailed for virtuous deeds that the authorities felt compelled to punish him for. This design is as heartbreaking as it is beautiful; her face is determined yet hopeful and her brightly patterned clothes seem to almost bear her aloft. Perhaps the two snowy herons ascending to the sky are an allusive hope that she and her father will both ascend to a heavenly place for their sacrifices. She is alone, and the yellow/pink full moon is her witness as it rises over the snowy landscape. YOT804
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